By Ryan Larkin. A man is walking. People see him. Others are walking. The film explores the abstract form if the human form in motion. Interesting. Beautiful in it’s own way. See also Ryan, Street Musique, and Syrinx.
Wallace and Grommet: Curse of the Were Rabbit (Movie)
For the uninitiated Wallace is a half crazy inventor and Grommet is his dog, except that Grommet is smarter, has more common sense, and is more talented in most everything. In this adventure the two of them are running a humane pest control service. This means that they capture rabbits from their customers gardens and take them away. Then something huge and sinister arrives and they have to take care of it. Of course all of this is done with more of their wild inventions. Lots of slapstick humor, obscure references, and improbable situations. The characters are wonderful. A couple of interesting notes. The same actress played Lady Tottington in Weir Rabbit and the Corpse Bride in the film of the same name. Lastly the animator that did this film also did Chicken Run and a series of Wallace and Grommet shorts. All of them are very enjoyable.
A very well done story about impossible love. The robots are delightful One called it to Buster Keaton meets Sigorny Weaver and that’s not far off. There’s a good deal of subtext, people getting lazy and fat, trashing the earth, corporate greed and conspicuous consumption are bad, etc. Right wing morons tried to make a big deal about that but it only showed that they were in fact morons. The film itself is beautifully done, exciting, touching, and a heck of a lot of fun. The robots are far better than those in the film Robots, more realistic in graphic design and behaviour.
Wander Over Yonder
Not sure where this one is supposed to be set. Yonder, a smallish vaguely humanoid bowling pin shaped creature with a big floppy hat, and his friend, a horse, have adventures. He is unflappably cheerful and optimistic. His friend is more aware of the dangers and is seriously sarcastic at times. Nothing is the way you’d expect. Yonder always wins and the powerful look like idiots. Silly at first glance, it actually has a lot of satire and commentary.
Whatever Happened to Robot Jones
Educational cartoon for the Junior High crowd. A robot trying to fit in an a normal Jr. High. OK, Junior High was a time in our lives when we all felt like a misfit. Like they passed a bunch of new rules and we were Robot Jones trying to navigate our way through without making too many embarrassing mistakes. Fine, but the show is very simplistic and the message of each episode is painfully obvious. I really think I saw this or something very much like it years ago. I could swear that they just pulled out a bunch of old films made in the 80s and are passing them off as new stuff set in the 80s. The animation even looks like the original Schoolhouse Rock short films. Of course it was not good even then and age has not helped.
Whisper of the Heart (Movie)
(Miyazaki). Very gentle look at a girl named Shizuku growing up. She starts as a disorganized 14 year old with some talent for writing, she does lyrics for her Jr. High School graduation but does not think they are very good. Through the film she discovers a wider world, a boy that makes violins, he goes to Italy, and she tests herself by writing a novel in the 2 months he is away. At the end she looks the same but there is a focus, a confidence that she did not have at the beginning. A slow and pretty film. Nice and emotionally moving. Being a writer, I liked Miyazakis handling of her coming to grips with the dream of being a writer. How when a story starts to flow it is not like you are creating as much as recording a story that is unfolding on its own. Very nicely handled. The only (fairly petty) complaint is that for the theme song and the song Shizuku is rewriting the lyrics for they chose Take Me Home, Country Roads. The 1972 Olivia Newton-John version used for the opening credits under scenes of people walking around Tokyo seemed completely out of place, to the point of being jarring and surreal. Her rewritten lyrics were actually an improvement over the original, and the scene where they are all singing and playing the song together is great. The Cat Came Back is technically a sequel to Whisper of the Heart but the two effectively take place in different universes. The Baron and the white cat with the dark ear are back in the later film but Whisper of the Heart is a much more realistic style of film with no magic. I do love Whisper of the Heart.
Witch Hunter Robin
A secret organization exists to locate and capture witches. Paradoxically people with the same ability to use “the craft” who work for the organization are “hunters” not “witches”. Witches are considered evil and there is an unmistakable slam toward organized religion. As the series goes on we learn more about witch persecution and Robin, who has a very powerful ability to control and project fire, has more and more doubts about the morality of what she is doing. Finally Robin becomes too powerful and the organization turns on her and declares her to be a witch. It has a great ending. To tell any more would be to give away the intrigue.
Interesting story of a post apocalyptic world where wolves have learned to look like people in order to hide from us while they search for their mythical Eden. Unfortunately, there is an underlying homoeroticism about the relationships in the pack that I found a little bit uncomfortable for a show about kids.
Wolverine and the X-Men
As the original was about intolerance in general and Mcarthyism in particular, this version is an allegory of right wing hate mongering. The characters have the same internal conflicts that made them interesting in the original series and the writing is still tight. Some of the characters seem weaker than the original, Storm, and Rogue for example. Gambit, my favourite character from the original is also not in this one at all. But overall it is quite good.
World End: What do you do at the end of the world. Are you busy? Will you save us?
On a ruined doomed earth people live on islands in the sky while monsters prowl the ground below. Only the people aren’t what they seem. The monsters aren’t what they seem. The weapons aren’t what they seem. In the middle of this Willem and Catholly fall in love. A beautiful, sad story of love and redemption. Though only 12 episodes it builds slowly like a rose opening to bloom. Exceedingly well done.
The World of Quest
A prince, a hero, and other typical characters on a quest battle monsters and an evil bad guy and his muscle bound sidekick. Could have been very typical and uninteresting except that it is a parody of the genre. Everything is filled with digs and jokes at the form and the classic set pieces. They have a living map called Way that gives directions in such a garbled Way that she seldom helps them to find their Way. The hero is exceedingly cynical and has the catch phrase; I hate ______, where in inserts whatever they have encountered no matter how unlikely he is to ever have run into it before. The prince is just a kid with no particular talents or skills. The show is nicely done and because they do it with tongue firmly planted in cheek quite amusing.
Wonder Egg Priority
A girl is shy and withdrawn, more so after the death of her friend. But she finds a way to fight back. This is a story full of abuse, psychological, physical, and sexual. Not just from other kids, but teachers, coaches, parents. A dark story but a very powerful one. It’s also full of symbolism. The abusers change from people into literal disgusting monsters. She kills them with a pen that changes into a huge sward. The minions that do much of the damage are the See Nothings. A disturbing, but uplifting work. Well worth the effort.